I feel very lucky to be selected as part of Playlab Theatre’s 2022 Incubator program, where I will participate in workshops with five other wonderful playwrights (Amy Chien-Yu Wang, Felicity Morton, Kurt Duval, Michael Sams, and Tammy Weller). I am excited to receive feedback and support in drafting my own play over the coming year, with the help of program facilitator, actor, and playwright, Kathryn Marquet. You can read more about the program here.
This week I took up a Writer Development Residency at Varuna, the National Writers’ House in Katoomba, the Blue Mountains. It was one of the most amazing experiences I’ve ever had. I stayed in the Bear room, which I soon discovered was named for its collection of teddy bears on the shelves above the books. Patchwork quilts decorated every room and I felt right at home. As part of my residency I had two consultations with the incredible Carol Major, one of the Varuna consultants. She saw into the heart of my manuscript and helped me develop it, and I thank her so much for her generosity and kindness.
As I write this, on my last day at Varuna, I am sitting at the big writing desk in the studio attached to the Bear room, that overlooks the gardens. I stayed with four other writers who were all so supportive and talented. After each day of writing, we would meet together in the evenings for wine, a home-cooked meal by Sheila, and sometimes a session of readings and toasted marshmallows beside the fireplace. I will always remember my stay at Varuna, and the writers I met there.
Anna was thrilled to be shortlisted for the Queensland Premier’s Young Writers and Publishers Award at the 2016 Queensland Literary Awards. To be eligible for the awards, applicants had to be 30 or under and demonstrate a track record of work as a writer and a publication history. Applicants were also asked to submit a portfolio of writing and a CV.
The judges’ comments were: ‘Anna is a tremendously talented young poet and the judges were moved by the warmth of her poetry and the gentle touch with which she executes it. Her poetry on domestic spaces, familial relations, the rituals of food and Jewishness make hers a unique voice.’
Anna was excited to be shortlisted for the Scribe Non Fiction Prize for an extract of her memoir ‘How to Knit a Human’. You can read an interview with Anna and Express Media here.